Bach Bibliography Search Result

Series : ^IrishMStud$
Year : 2004
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	The Baroque upbeat: outline of its typology and evolution.	IrishMStud	8		2004	17-28
	2.	Johann Joseph Fux and the question of Einbau technique.	IrishMStud	8		2004	29-48
	3.	The royal Polish and electoral Saxon court and state calendars, 1728-50.	IrishMStud	8		2004	49-64
	4.	Vivaldi, Bach and their concerto slow movements.	IrishMStud	8		2004	65-91
	5.	The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. [BWV 592-597; 972-987, 808, 1050]	IrishMStud	8		2004	93-101
	6.	Composing in time: Bach's temporal design for the Goldberg Variations.	IrishMStud	8		2004	103-128
	7.	Eschatology, theology and music: death and beyond in Bach's vocal music.	IrishMStud	8		2004	129-147
	8.	Bach's horn parts: alternatives to nodal venting and hand stopping.	IrishMStud	8		2004	149-160
	9.	Bach in North America during the shellac era (1900-50): early sound documents of art and commerce.	IrishMStud	8		2004	161-178
	10.	Bach performance practice in the twentieth century: recordings, reviews and reception.	IrishMStud	8		2004	179-189
	11.	Bach in the twenty-first century: re-evaluating him from the perspective of performance.	IrishMStud	8		2004	191-204
	12.	Bach's Credo in England: an early history.	IrishMStud	8		2004	205-227
	13.	'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries.	IrishMStud	8		2004	229-246
	14.	Bach at the turn of the twenty-first century. Trans. Raymond Erickson.	IrishMStud	8		2004	247-260
	15.	Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. Dublin: Four Courts Press, 2004. 270p. ISBN: 1-85182-857-5. (= Irish Musical Studies, 8)	IrishMStud	8		2004	270p